LIVE UK, a sister publication to AUDIENCE, is the only publication dedicated to the country's contemporary live music business, providing news, features, tour plans and information to the people that drive the industry – promoters, festival organisers, venue operators, artiste managers, booking agents, ticketing companies, media and key professionals in dozens of related sectors.
The UK's Best Venues for Contemporary Live Music as an annual round-up of the most prominent and proactive venues, from pubs to stadiums and open-air sites, that play a part in keeping the UK a world leader in contemporary music. This 84-page publication features interviews with venue operators, profiles key personalities – from pub landlords to stadium bosses, and includes a survey of trends in areas such as ticketing and marketing.
View digital magazine here.
Audience is the world's leading monthly magazine for the international contemporary live music industry, providing news, features and information to professionals in more than 80 countries worldwide. Circulation includes thousands of promoters, festival organisers, venue operators and key people in dozens of related sectors.
View digital magazine here.


 



NEC Group

The NIA has been a huge draw for visitors to Birmingham since it was officially opened in 1991; the flexible arena has since gained a global reputation for world-class sports, headline comedy and music, and a diverse range of crowd-pleasing live entertainment.

Now it's time to look to the future.

Set to undergo a £20.6 million transformation, the modernisation of the NIA will include improved facilities and a much greater emphasis on both the pre and post show experience. Coupled with an exciting partnership with Barclaycard, the NIA will offer a vastly improved experience for anyone setting foot in the arena.

The NIA, A Barclaycard Unwind Experience, will reopen at the end of 2014 and will offer amazing newexperiences, as well as first-class facilities and the world's best performers.



Don't play here for the name. Don't come because, according to Dave Grohl, “Playing Wembley Stadium is an honour and the greatest night in our band’s lives.”

Do it because it makes sense. It’s:

Loud - acoustic design typically achieves 106db at mixer
Big - 80,000 end-on capacity
Flexible - some nights curfew is 11pm, our lower tier can be reserved or operate free-flow GA with the pitch
Worth it - in 2009, we sold on average £250,000 worth of tickets per concert and we have 41 merchandise units for maximum spend

Let your head rule your heart. Choose Wembley.
 




PRS for Music

PRS for Music is a not-for-profit organisation thatrepresents the rights of 90,000 songwriters, composers and music publishers, championing the importance of copyright and ensuring music creators are paid whenever their music is used. PRS for Music provides business and the important UK live music sector with easy access to over 10m songs through its music licences.

In an industry worth £3.8bn PRS for Music is uniquely placed to be a voice for music and music creators. Collecting £630.8m in 2012 PRS for Music is one of the world’s most efficient combined rights organisations.



Last Second Tickets

Last Second Tickets (LST) provides a digital marketing and sales platform to venues and promoters.  With a growing database of over 30 million people, including the entire Orange Mobile customer database, LST has the ability to reach your potential customers quickly and easily, delivering your message direct to their mobile handset. LST actively works to not change buyer behaviour: De-duping, highly targeted sales messages, closed user groups and promotion codes ensure that only the people who you want to target get your message allowing you to protect the full price sales and avoid alienating existing customers. So whether you’re looking for last second sales, a big bang on your on-sale date, or a risk-free marketing channel, LST as a solution for you.


Robertson Taylor

Robertson Taylor is the leading International Entertainment Insurance Broker serving the Music, Live Event, Film TV, Theatre, Sport and Entertainment industries. With offices in London, Los Angeles, Nashville, New York and more recently Toronto, Robertson Taylor is the pre eminent specialist in music and touring and throughout 35 years of experience, has provided insurance and risk management advice to more top grossing acts, tours and artists than any other insurance broker.

For further information or a quotation contact Laura Wellstead on 0207 510 or laura.wellstead@rtib.co.uk or visit website www.robertson-taylor.com